Nobody is innocent S1_Podcast

Episodes

• The virgin of the batture / Mariana Enriquez

  by Ana Piterbarg

  CAST: Pilar Gamboa, Elisa Carricajo, Valeria Correa, Paula Pichersky, Ignacio Pozzi
  Synopsis: In adolescence, all feelings are pure. Love is pure and hatred is pure. And love and hatred unite. In a bitter summer, several 17-year-old girls visit Silvia: "the big friend", who has a job, gets drugs and has lived everything they long to live; the one who, unlike all of them, conquers Diego. They seal her, they envy her, but they can't get away from her. To escape the heat of the city, they frequent a batture, an artificial lagoon in the Pampa plain. In that lonely place, the purity of those feelings will serve to invoke violence.

• The bicycle satire / Horacio Convertini

  by Ana Piterbarg

  CAST: Gabriel Puma Goity, Diego Velázquez, Iván Hochman
  Synopsis: At a time when the first papers were printed in the basements and written on the editorials, the editor-in-chief of a Buenos Aires newspaper entrusts one of his journalists with the invention of a police news: a satire who rides a bicycle and attacks women in the popular neighborhoods of the south of the city. To give truthfulness to the news and to feed the headlines, the Editor-in-Chief sends one of his changarins to walk the streets in the morning, to scream at the outcasts. Soon the first witnesses appear, the first victims. The lie, the fiction - as always - feeds on the reckless and finds the way to the darkest forms of truth.

• The Rat Hunter / Kike Ferrari

  by Ana Piterbarg

  CAST: Sofía Gala Castiglione, Fabián Arenillas, Peto Menahem
  Synopsis: Un hombre entra a un prostíbulo de un pueblo remoto y, después de tomar unos tragos, es encarado por una de las prostitutas del lugar. El hombre decide pasar con ella toda la noche. Van a una habitación, donde discuten por el precio hasta que la prostituta saca un arma. El hombre acepta pagar lo que ella le pide, y entonces ella, para dejar atrás la discusión, mientras se tranquilizan, decide contarle una historia: un asentamiento, un edificio de lujo, ratas, miles de ratas; y un personaje enigmático que cambiará la vida de todos. El pasado nunca está donde creemos que está.

• The soul is coming / Melina Torres

  by Ana Piterbarg

  CAST: Alejandra Flechner, Lautaro Delgado, Gonzalo Urtizberea,Guillermo Pfening, Carlos Santamaría, Agustín Vásquez, Manuel Callau
  Synopsis: Silvana Aguirre and her subordinate Ulises Herrera are two police officers from the Rosario Criminal Analysis Directorate. Both are homosexual, both of blurred and ironic language. On an order from the Headquarters, they are involved in a crime that takes place in a village of Chaco. They go there, to encounter a victim that, in some way, everyone loves and hates at the same time; and with inhabitants who make their routines an intricate mystery. Under an oppressive drought in which cruelty and secrets proliferate, Aguirre and Herrera will solve the crime. Little villages are big hells. Big hearts are endless hell.

• The Madman of the Highway / Osvaldo Aguirre

  by Ana Piterbarg

  CAST: Romina Escobar, Payuca, Alma Catira Sánchez, José Mehrez, Agustín Vásquez, Sergio Boris
  Synopsis: On the sides of the highway that leads to Buenos Aires, while the unceasing traffic parade silences the voices from the edges, a group of travestis try to survive. Everyone's on the way: truck drivers, anonymous customers... all but them: Vanesa, Gina, Black Jennifer, Karen Ramírez, Correcaminos, work without day and night making a difference. Covered in their codes, they face violence and indifference, until a killer starts hunting them. As long as the police barely realize the crimes, embedded in the routine of fine and corruption, they will look for ways to defend themselves.

• Cavernary breathing / Samanta Schweblin

  by Ana Piterbarg

  CAST: Cristina Banegas, Ana Celentano, Manuel Callau, Juan Tupac Soler
  Synopsis: There are people for whom life is a trap. For such people, when old age comes, it is only a look back to confirm it, between pride and despair of having been right. The trap is closed, perfect. In the suburbs of a sleepy and dangerous Buenos Aires, Lola advances to senile dementia and, while doing so, affirms herself in distrust and fear. As her memory untouches, her husband, her new neighbors (and the old ones), the objects of her house, everything seems to be plotted into a nightmare crime. Perfect traps are also the last shelter of a trapped animal.